Mood Machine - Wyrmsign.org

Hardcover, 288 pages

Published by Atria/One Signal Publishers.

ISBN:: 978-1-6680-8350-5

(1 review)

An unsparing investigation into Spotify’s origins and influence on music, weaving unprecedented reporting with incisive cultural criticism, illuminating how streaming is reshaping music for listeners and artists alike.

Drawing on over one hundred interviews with industry insiders, former Spotify employees, and musicians, Mood Machine takes us to the inner workings of today’s highly consolidated record business, showing what has changed as music has become increasingly playlisted, personalized, and autoplayed.

Building on her years of wide-ranging reporting on streaming, music journalist Liz Pelly details the consequences of the Spotify model by examining both sides of what the company calls its two-sided marketplace: the listeners who pay with their dollars and data, and the musicians who provide the material powering it all. The music business is notoriously opaque, but here Pelly lifts the veil on major stories like streaming services filling popular playlists with low-cost stock music and the rise of new …

An unsparing investigation into Spotify’s origins and influence on music, weaving unprecedented reporting with incisive cultural criticism, illuminating how streaming is reshaping music for listeners and artists alike.

Drawing on over one hundred interviews with industry insiders, former Spotify employees, and musicians, Mood Machine takes us to the inner workings of today’s highly consolidated record business, showing what has changed as music has become increasingly playlisted, personalized, and autoplayed.

Building on her years of wide-ranging reporting on streaming, music journalist Liz Pelly details the consequences of the Spotify model by examining both sides of what the company calls its two-sided marketplace: the listeners who pay with their dollars and data, and the musicians who provide the material powering it all. The music business is notoriously opaque, but here Pelly lifts the veil on major stories like streaming services filling popular playlists with low-cost stock music and the rise of new payola-like practices.

For all of the inequities exacerbated by streaming, Pelly also finds hope in chronicling the artist-led fight for better models, pointing toward what must be done collectively to revalue music and create sustainable systems. A timely exploration of a company that has become synonymous with music, Mood Machine will change the way you think about and listen to music.

2 editions

people like books reviewed Mood Machine by Liz Pelly

I really hated Spotify before but wow do I hate it more now

4 stars

The stuff about musician nonpayment/payola is interesting and well-documented here (including efforts to unionize/resist/subvert it by musicians). Getting paid for music isn't something i personally care about, but the book does a good job and tying it to broader problems that exist right now wrt labour and the gig work economy, which is very relevant to the types of work I do (and as a participant in all this). HOWEVER, as a punk the real brain-breaker was solidifying my understanding of the tech end of how big data analysis and playlist curation shape broad understandings of genre and shape how people make (and consume) music. The example explored in the book was hyperpop but I can see exactly how hardcore and punk slot in. All the evils of the regular ol music industry plus unhinged levels of digital surveillance and squeezing every possible drop of money and attention out of …

The stuff about musician nonpayment/payola is interesting and well-documented here (including efforts to unionize/resist/subvert it by musicians). Getting paid for music isn't something i personally care about, but the book does a good job and tying it to broader problems that exist right now wrt labour and the gig work economy, which is very relevant to the types of work I do (and as a participant in all this). HOWEVER, as a punk the real brain-breaker was solidifying my understanding of the tech end of how big data analysis and playlist curation shape broad understandings of genre and shape how people make (and consume) music. The example explored in the book was hyperpop but I can see exactly how hardcore and punk slot in. All the evils of the regular ol music industry plus unhinged levels of digital surveillance and squeezing every possible drop of money and attention out of both consumers and artists (who, spoiler alert, are also considered as consumers). Evil genocide-mongering billionaires. Everything is bad about Spotify. I knew it was bad bad but actually learning how the sausage gets made is truly horrifying. I am so upset. Preemptive apologies to everyone I will punish about this topic in the near future. I hope people who use the platform (in both senses) will read this.